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Likeness and Presence: History of the Image Before the Era of Art de Hans Belting

Descripción - Reseña del editor Before the Renaissance and Reformation, holy images were treated not as 'art' but as objects of veneration which possessed the tangible presence of the Holy. In this book, Hans Belting traces the long history of the sacral image and its changing role in European culture. It looks at the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images, and presents a compelling interpretation of the place of the image in Western history. Contraportada Before the Renaissance and Reformation, holy images - the only independent images then in existence - were treated not as 'art' but as objects of veneration. The faithful believed that these images, through their likeness to the person represented, became a tangible presence of the Holy and were able to work miracles, deliver oracles, and bring victory on the battlefield. In this magisterial book, one of the world's leading scholars of medieval art traces the long history of the image and its changing role in European culture. Belting's study of the iconic portrait opens in late antiquity, when Christianity reversed its original ban on images, adapted the cult images of the 'pagans', and began developing an iconography of its own. The heart of the work focuses on the Middle Ages, both East and West, when images of God and the saints underwent many significant changes either as icons or as statues. The final section of Likeness and Presence surveys the Reformation and Renaissance periods, when new attitudes toward images inaugurated what Belting calls the 'era of art' that continues to the present day - an era during which the aesthetic quality has become the dominant aspect of the image. Belting neither 'explains' images nor pretends that images explain themselves. Rather, he works from the conviction that images reveal their meaning best by their use. Likeness and Presence deals with the beliefs, superstitions, hopes, and fears that come into play as people handle and respond to sacred images. Recognizing the tensions between image and word inherent in religion, Belting includes in an appendix many important historical documents that relate to the history and use of images. Profuselyillustrated, Likeness and Presence presents a compelling interpretation of the place of the image in Western history.

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Gaudium et spes vaticanva he who is the image of the invisible god col 115,21 is himself the perfect man to the sons of adam he restores the divine likeness which had been disfigured from the first sin onward since human nature as he assumed it was not annulled,22 by that very fact it has been raised up to a divine dignity in our respect too David freedberg power of imagesfrench preface immanuel though i do not, for one moment, consider the image to be an everpresent reality to which mankind has responded in ever the same way, as belting maintains in his foreword to the english edition of his book, entitled likeness and presence a history of the image before the era of art, chicago the Belting imagen percepción prueba gratuita de 30 días likeness and presence a history of the image before the era of art, chicago, kunstgeschichte eine einführung, berlín, en colaboración con heinrich dilly y wolfgang kemp bild und kult eine geschichte des bildes vor dem zeitalter der kunst, munich, das echte bild bildfragen als glaubensfragen, munich, anthropologies of art, massachusetts, hieronymus bosch garden of earthly delights

Detalles del Libro

• Name: Likeness and Presence: History of the Image Before the Era of Art
  
• Autor: Hans Belting
  
• Categoria: Libros,Arte, cine y fotografía,Historia, teoría y crítica
  
• Tamaño del archivo: 7 MB
  
• Tipos de archivo: PDF Document
  
• Idioma: Español
  
• Archivos de estado: AVAILABLE
  

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